Two generations, one born in 1990
Liu Shiqing, from the Department of Chinese Language and Literature at Beijing University, comes from a middle-class family. He is a contemporary Gu Cheng, who longs to revive Chinese classical culture with Hanfu; Liu Haisheng is a rural boy who wants to integrate into urban civilization, but mistakenly enters the poppy garden of small intellectuals. He is the contemporary Gao Jialin; Jiang Xiaoli is the modern projection of Chinese classical aesthetics, and women in the eyes of small intellectuals. God, beautiful women are the curse and sacrifice of creation; Wang Yao is a contemporary Mago, he is a poet, in this age of looking at faces, he is the ugly monster in Xue Zhiqian's song; Zhao Sheng is a second-generation petty official, he is world-savvy, loves fitness, and is an expert in love, he looks down on little intellectuals, Wang Sisi is from the dance academy, she is a white and rich girl who does not like to study,
Another generation was born around 1960
Liu Fuqiang, a middle-aged rich man from the countryside, is a arrogant lion. He was once a little intellectual, and finally transformed into a cold-blooded jungle hunter, but deep down he still retains the stubborn aesthetic ideal of a little intellectual; University professor Li Hongshen, a famous scholar of ancient Chinese literature, is an awakened male. Hyena, he once knelt in the ivory tower and took drugs, and finally walked out of the study like Faust; university professor Su Muhe is the contemporary Wang Qiyao and Li Qingzhao; the older generation of intellectuals have understood clearly that they accepted the nature of animals, but the new generation of intellectuals have to repeat the fate of Don Quixote
Purpose: Contemporary "The Scholars"