For Mo Han, no matter how famous this painting is, it is just the equivalent of currency, the goal of a mission. Perhaps, when you calm down and look at it, it is a work that makes people's hearts soften.
For Cheng Jiamu, this painting is all that is left behind by his biological mother whom he has never met.
Cheng Shang regarded this painting as his life, and he regarded it as his reputation, career and pride.
Mo Han "borrowed" this painting. Who told her to have such professional ethics? She accepted the job and had to perform it. Of course, she is a borrower of paintings with integrity, and her clients are the real owners of the paintings.
Until, she discovered that the client had a close relationship with her, and Cheng Jiamu did not hesitate to force her into despair in order to get the painting back.
Every painting has a past.
Mo Han held up Renoir's "Mother" with infinite regret in his heart.