The "male" protagonist: Ding Keke, a standard boy who is no decadent but no passionate, no determined but no depraved, and a standard novice. Strangely traveling to ancient times, how will modern people, who are standard but not very standard, behave when faced with different space life experiences and emotions? There are noobs, there are traditions, there are martial arts, there are rivers and lakes, there are bloodshed, there are beauties, there are many foils, there are NPCs, and there is a bit of sadism, of course! I will never forget little Wen Xin~
Not at home?
In front of the "mirror" - a very antique courtyard (referring to the big house, one of the props in the costume film), a very vicissitudes of life (referring to the second prop in the costume film, the courtyard), a very strange, gloomy, heavy and embarrassing scene: piles of dead people in costumes (some with missing arms and legs) The head is bent over and the internal organs are exposed), there are fresh blood stains all over the floor, and the air is filled with a disgusting fishy smell~quiet~ It's like you can play a listening game with a needle. It is a place that can easily make people unknowingly think of a mass grave (I really want to say a slaughterhouse). But there is a plot in front of me that is different from the original text. The two are posing in a way that would make countless fujoy nympho SAMAs happy: "love each other with affectionate eyebrows and flirtatious expressions" that can only be seen by masters in period films (but the mouth is slightly open, the face is a little twisted, and all four eyes are staring at me "like a ghost") MS is a popular and beautiful male "fossil".
(Why am I wearing this?! Why am I wearing this?! Why!!!! I want to go back!!!!!!)
The protagonist will continue to look for opportunities to "go back", and of course there will be people who will continue to stop "her", and MS will continue to grow. —94. . . . .
It's a spoof article.
Calm and calm Shirou, little angel blah blah blah