Today, when people's living standards have generally improved, the collection of cultural objects has once again set off a wave of craze in society. Many TV stations have seized the opportunity and launched several variety shows with the gimmick of collecting folk collections. But unfortunately, most of these programs are of low quality, making the supposed elegant appreciation of literature and art self-defeating, making it look like corporate bidding or stock investment, full of the disgusting stench of money, which is really annoying.
For many people, the purpose of collecting cultural relics is very pure, just to earn the price difference from buying and selling. If it's more complicated, then maybe it's mixed with the irresponsible pleasure of showing off one's capital. As everyone knows, the economic value of cultural relics is only a suggested symbol used to measure their cultural and artistic value, and may be far from proportional. And if you don't understand the cultural and artistic connotations contained in cultural relics, but only see its potential for excellence, then it is the same as buying a casket for a pearl.
In my humble opinion, the best destination for cultural relics is not auction houses or private buyers. Do they belong to the common memory of the Chinese nation, or should they be placed in museums and shared by all the people, so that people can experience history and culture more closely and appreciate the charm of China more deeply. We call on people to love the motherland and culture, and organize more visits to cultural relics museums. This is far more useful than preaching.
I would like to write this article as my reflection on the excellent cultural relic appreciation programs I have watched, the provincial and municipal museums I have visited, or my rough understanding of cultural relics so far.