"Is it true that love can only be communicated through hands?"
——Soda Green "Frequency"
The first time Li Tang saw Qin Baizhuang's name was on the university's bulletin board.
He wrote a line. The characters are extremely sharp and are made with extremely powerful strokes. The place where the pen is drawn is long but not muddy, like an unedged knife hidden in the gentle spring breeze. In the later period, the number of strokes gradually increased but did not appear messy. On the contrary, the characters became more vivid and steep. The most exciting thing is undoubtedly his treatment of dry, dry, wet and other ink techniques. Each stroke and stroke is even more unrestrained and revealing, and the tip of the brush seems to have an unreasonable quiet and chilling air.
The paper is good rice paper, and the ink is diluted just right. The brush is rolled in a circle and dipped in thick black. This is a good aid, but the presentation of good calligraphy depends not only on good tools, but also on the accumulated practice and hard work day after day.
This man is so amazing, she thought to herself, what kind of hands would it take to write such words.
But at the time, she didn't expect that she would be able to hold this person's hand for a long, long time.