Qing Meng Yisheng

I really like this article, but first of all I have to say that the ending makes me very sad. It's not that I don't like tragedies, but the occurrence of tragedy requires a lot of emotional and plot foreshadowing to appear natural and not feel abrupt and artificial. This article seems to suddenly have a lot of war, political games and other elements appearing in the last few chapters, and it states the facts one after another in a few hasty sentences. If this is just the result of Hua Jue's previous planning, it is reasonable to mention it in such a few strokes, because the focus of the reader's reading here still falls on a few main characters, and it is believed that the development of the story is still dominated by the emotional entanglements and interests between her/them; but it is true that It was at this moment when it was about to end that the section "getting married for the sake of all the people in the world" suddenly appeared. It seemed to have become a curtain wall, blocking the tension and emotion that had accumulated in my heart when I read this. I could only feel the disharmony rushing towards me. This sense of disharmony first comes from the fact that the concept of "all people in the world" is essentially empty in the sudden context. Although countless literary works take themes of family, country, world, and human suffering, it requires too much space to realistically depict the source of this feeling, making it a truly touching historical picture, so that readers can feel the heaviness; of course, if the article is really written like that, my personal feeling is unlikely to be based on the emotions between the two protagonists. However, if we just borrow this concept from that kind of literature and impose it on our heroine, it will be like forcibly splicing two photos with completely different styles together, both of which will lose the artistic beauty. The dissonance I felt during the reading process was that such a plot that led to a tragic ending appeared out of thin air, just like the "God of Rescue" in ancient Greek dramas. Instead, it completely covered up the inner world conflicts that were carefully shaped to advance to this point in the previous article. Hua Jing's feelings for Di Ji were cold and decisive. There was nothing else in her eyes except Di Ji. Even if someone caught her snuggled in Di Ji's arms, she would just look directly at the bored bystander; she rarely spoke, and she rarely said anything to her. I feel that the lack of inner description and psychological description is not omitted, but the heart wrapped under the plain and indifferent face is also beyond language and cannot be described, just like the deep night, the pale moonlight, and the beautiful and alluring purple. Such a proud woman must have no concept other than love, no knowledge of family affection, and no sympathy for those around her. All she cares about is whether the woman next to her is well and happy. Emotions deep in the bone marrow will also become fragile, sensitive and vulnerable. When Di Ji thought about the dilemma of choosing between Hua Jue and her mother, she stopped her from continuing. I prefer to understand that scene as the uneasiness that was deeply suppressed in her heart, pressed into her soul as deep as the sea. Therefore, she will not explain to anyone, but will use step by step actions to pave the way to the throne for the woman next to her, and to ensure that she and she only belong to each other. But Di Ji is far from that pure. Hua Jue is not the only one in her eyes. She can see those relatives and will be sad for their death; even when she needs to make a choice between the two, she hesitates at the beginning. This has a lot of foreshadowing in the previous article, what will happen if Yanran is replaced by the mother concubine, Yanran dies, breaks the promise to Hua Jue at the mother concubine's call, etc. Even if it is small, the looming struggle in her heart has been made clear. Therefore, when the major changes near the end of the article occur, especially when I know that these are more or less caused by her Hua Jue, I personally feel that highlighting the psychological impact of the departure of those relatives on Di Ji is much more real and perceptible than appearing "all people in the world" out of thin air, and is more in line with the character development of the characters, because each of them has been carefully portrayed in the article. Because when I first read the text, I knew it was a tragedy. When I saw it coming to an end, I guessed that the tragedy might end in one of two ways. One was that Di Ji couldn't accept that these disasters indirectly came from Hua Jue after struggling in her heart, and the queen completely ignored Hua Jue, and Hua Jue committed suicide. The other was that Di Ji was unable to free herself from the pain of the death of many relatives and her deep love for Hua Jue, so she committed suicide, and Hua Jue committed suicide. I prefer the latter. Of course, these are the opinions of an ordinary reader, and I naturally respect the author's writing first. I also want to talk about my impression of the image of Hua Jue in particular, because the image's ethereal beauty is the most important reason why I fell in love with this article. However, I think it is better to feel this character with your heart. The author's description is enough. If you continue to comment on it, you will lose the transcendent beauty. I like this image the most: Smiling lightly at Ogijin, Hua Jue reached out to her. I had known her for nearly a thousand days, but I was still tempted by that face and subconsciously reached out to take her hand. Well, January 1, 2016, 00:01, is dedicated to my first day of 2016.

Hahahahaha, Matao's nosebleeds are too much, Jinsuke is so awesome!

Crying, it's so touching, TT, it would be great if I wrote a fan novel about a time-traveling girl from Death, the kind that everyone would love

When I watched You Yu, I completely ignored that Kurama was a bad guy in the past. Now when I watch it, I remember that when he was a thief, he was no better than the Phantom Troupe...

Friends upstairs and downstairs sing together

Author, are you still writing? I'm so disappointed.

Oh, it's been seven years. . . Okay, I'll take a look again tomorrow.