The Tragic Life of the Sand Sculpture Princess

? Why did it come to an end so soon?

Suddenly I remembered the sketch, oh, my Tianling Cap and my tailbone are all fine!

Properly venting physiological needs is good for physical and mental health~

Come on, author, I just saw this article and xjb would like to share my own opinion. This article seems to be an article about a strong woman, so its main question is why the heroine wants to become strong and how to become strong. The author writes more about the former reason, because the heroine is dissatisfied with the class differentiation in the Salt Water Continent, and as a true dragon, the heroine cannot live a peaceful life and must either rise to power or be killed. But what about the latter one? I think the author can write it in more detail. Her ideals, ambitions, resourcefulness, magic power, magical weapons, power, prestige, charisma, followers, enemies, what level they are now, and what level they can reach in the future. For example, the heroine did not want to be a sultan at the beginning, so what was her life plan before her father died, or at least whether she was confused about her future. This needs to be written clearly in order to compare with the heroine's ambition later. For another example, the heroine was still confused about the situation in Chapter 6 and needed Xu Leim to remind her. In Chapter 8, she became a master of strategy. After her father died, she suddenly seemed stupid and naive, which made people confused and unsure of the heroine's position. There is also the heroine's belief, which should be a very important point. What is the source of her philosophy? Does she naturally sympathize with the weak? What are your experiences while traveling abroad? Or from her teacher? What has she done for her concept? Did those who looked down on her use this to mock her womanly kindness? Did those who wanted to harm her use her sympathy for untouchables to coerce her? Did she further revise her philosophy while on the run? Also, I really want to know whether the heroine's mana level is high or low among mages, what is the value of her pile of magic weapons and whether she can harvest more magic weapons, and what is the reputation of the famous True Dragon Princess in various camps now. The author relies on this part of history, especially the stories of the female protagonists, which I personally find not very attractive. The first is that group portraits are difficult to write, and political struggles are even more difficult to write. Few people can write history in an interesting way, especially the subject of online articles. The second is that after the author put history into a Western fantasy shell, I personally felt a strong sense of dissonance. When the author designed some orc tribes, the customs of each tribe were also very different, but the settings of different races were not so detailed. Whether they are elves or demons, they all look like ordinary humans wearing cos clothing, and have the same religion, political system, views on marriage, and views on good and evil as humans. Based on the first point, I feel that what the author writes about the female supporting characters is not a story, but various trivial settings. Jumping from here to there, the reader fails to empathize with the character and she exits. And because of the second point, these settings are also very tempting to complain about. The second point may be a matter of my personal reading preference, but for the first point I have to say that the author's writing power is not strong enough to challenge this writing method. If the author must write, I suggest using the heroine as a thread to string together these stories. What impact will a situation like the orc kingdom have on the female protagonists, or the heroine received help/hinder from these countries during her wanderings. Please make sure that everything written in detail is related to the heroine. P. S. The heroine's final rise to power should not be based on the ancient method (without changing the political structure), but on the modern method (the development of productive forces and class revolution) combined with the fantasy method (upgrading her magic power to defeat the whole world by herself). Then wouldn't the heroine want to kill all the female supporting characters... Or would she only kill the landlord in the orcs?