After falling into the water, Jiang Lan traveled to a strange world.
She originally wanted to live a peaceful and happy life, but unexpectedly, a "normal" self-defense made her fall into the trap of an arrogant man who chased her all day long, cutting off her hands and feet and hanging her on a high platform. For a while, cats and mice were fighting, and the sky was dark and the earth was dark. Fortunately, her best friend Han Jun helped her resolve every crisis.
When the tide of love is surging, he doesn't realize that he has been involved in a love-hate relationship that will never end.
Can falling in love to the point of death survive the tricks of fate?
Is it possible to escape from a deep evil fate?
Who rules the world?
Where does love go?
Demonic dispute? .......
PS: One female protagonist, multiple male protagonists, non-NP, please proceed with caution
This article is an early work, it is shocking, so please read with caution.
Other pitfalls of honey:
Great article from my friend!
Conception:
Reader comments
2333333333 I just deleted a game and I lied to you 2333333333
Immortal. . . Taozi, you are indeed possessed by an idiot monster. . . .
By the way, holding hands and calling for help is really weak, isn't it?
After drowning, shouldn't the survival instinct be to jump in and hug you and then hold on to you for dear life? This is how you call it sincerity when you ask the Immortal to help you~ Hahaha~
Author, you are so stuck...(╯°□°)╯ ┻━┻
How could such a beautiful article be a trap! ! ! ! !
It's over! See you next time, okay!
Check in
It ended a bit quickly +1 (°°)
I read the article from seventeen years ago in one night. It's so stupid, but I like [glasses]
What feels rare is that in the novels written seventeen years ago, the author has consciously or unconsciously avoided female competition. The female characters who have entanglements with the male protagonist are either very upright, or they are doing it for the power in the male protagonist's hands, and the heroine can also say something about women's unity. It really feels like it is unintentionally ahead of the times.
I feel like Lan Lan was miserable from beginning to end. Now she would be called a "sweet wife" and "cold-faced woman who washes her underwear". This gave her an unfortunate family of origin and made her long for a happy family all her life. In fact, it was a reflection of many women more than ten years ago, who longed for a happy life with a husband, children, and a happy family.
From the beginning to the end, he just likes to fight, and it feels like he can pile up all the good male protagonist images on him. Therefore, there is such an image of a male protagonist who is unconditionally good to the female protagonist, because the person behind him who created him is a woman.
In the later period, He Jun felt that his writing was a bit like Hate Hai Qingtian, although it was only in words (Jun had been hurting Lan, and Lan had never really hurt him, and she also helped him solve various things). What she lost was life, and what he lost was love. I didn't sympathize with him at all. It was really great to be the emperor and have two children. The month of cheating was extremely disgusting. It feels like he is not really Ai Lan, but just a projection of Ai Lan. It is really best to let go.
Needless to say, brother, there is a separation between man and machine. I have never understood the kind of person who says he loves you and then surrenders to others. Maybe this kind of evil character design was very popular more than ten years ago...
The literary works of more than ten years ago may be too boring now: "The heroine washed her underwear with a cold face, let the heroine give birth to a bunch of children, and basically all of them are boys. Three male protagonists, two are unclean, abuse women, and the plot line is completely child's play. The first person, the writing is noob..." How can I put it, but I am so bloody happy. Although it is a pity that it was not written in such a way that the heroine becomes a queen and then rises up, then kills the bad guy, and lets the man become a pornographic corpse, and the heroine cries and misses the other man, but that would be OOC. This kind of revenge plot was generally unimaginable more than ten years ago. It probably seemed a bit deviant at the time, but it seems very satisfying now. But fortunately, the author gave the heroine the ending she expected, at least she no longer has to deal with unworthy people in her life.
2333333333 I just deleted a game and I lied to you 2333333333
Sprinkle flowers(﹡? O?﹡)
Ahhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhing written.
Immortal. . . Taozi, you are indeed possessed by an idiot monster. . . . By the way, holding hands and calling for help is really weak, isn't it? After drowning, shouldn't the survival instinct be to jump in and hug you and then hold on to you for dear life? This is how you call it sincerity when you ask the Immortal to help you~ Hahaha~
Author, you are so stuck...(╯°□°)╯ ┻━┻
How could such a beautiful article be a trap! ! ! ! !
It's over! See you next time, okay!
Check in It ended a bit quickly +1 (°°)
I read the article from seventeen years ago in one night. It's so stupid, but I like [glasses] What feels rare is that in the novels written seventeen years ago, the author has consciously or unconsciously avoided female competition. The female characters who have entanglements with the male protagonist are either very upright, or they are doing it for the power in the male protagonist's hands, and the heroine can also say something about women's unity. It really feels like it is unintentionally ahead of the times. I feel like Lan Lan was miserable from beginning to end. Now she would be called a "sweet wife" and "cold-faced woman who washes her underwear". This gave her an unfortunate family of origin and made her long for a happy family all her life. In fact, it was a reflection of many women more than ten years ago, who longed for a happy life with a husband, children, and a happy family. From the beginning to the end, he just likes to fight, and it feels like he can pile up all the good male protagonist images on him. Therefore, there is such an image of a male protagonist who is unconditionally good to the female protagonist, because the person behind him who created him is a woman. In the later period, He Jun felt that his writing was a bit like Hate Hai Qingtian, although it was only in words (Jun had been hurting Lan, and Lan had never really hurt him, and she also helped him solve various things). What she lost was life, and what he lost was love. I didn't sympathize with him at all. It was really great to be the emperor and have two children. The month of cheating was extremely disgusting. It feels like he is not really Ai Lan, but just a projection of Ai Lan. It is really best to let go. Needless to say, brother, there is a separation between man and machine. I have never understood the kind of person who says he loves you and then surrenders to others. Maybe this kind of evil character design was very popular more than ten years ago... The literary works of more than ten years ago may be too boring now: "The heroine washed her underwear with a cold face, let the heroine give birth to a bunch of children, and basically all of them are boys. Three male protagonists, two are unclean, abuse women, and the plot line is completely child's play. The first person, the writing is noob..." How can I put it, but I am so bloody happy. Although it is a pity that it was not written in such a way that the heroine becomes a queen and then rises up, then kills the bad guy, and lets the man become a pornographic corpse, and the heroine cries and misses the other man, but that would be OOC. This kind of revenge plot was generally unimaginable more than ten years ago. It probably seemed a bit deviant at the time, but it seems very satisfying now. But fortunately, the author gave the heroine the ending she expected, at least she no longer has to deal with unworthy people in her life.