"Ying Zheng never knows how much Gao Jianli likes Ying Zheng, just like Gao Jianli never knows how much Ying Zheng likes Gao Jianli."
Watching "Song of Qin" directed by Zhou Xiaowen in 1996, this sentence popped up in my mind less than one-fifth of the way through the plot. It stayed with me throughout the 130 minutes of watching the movie and never left my mind. As expected, Uncle Ge is born with a must-have pornographic film. At this time, the scenes opposite Uncle Wen are full of love and murder, which is even better than in "Let the Bullets Fly".
I heard that Uncle Ge practiced Guqin gestures like an obsessive-compulsive disorder for this film. I lamented that Uncle Ge's face is just that long. He has such beautiful hands. He is like a must-famous male god who plays hand control. With these hands, the role of Gao Jianli must be his.
The tentative title is "Prisoner", a word that is extremely tacky but extremely fitting. People are in cages and people are in their hearts. From the moment Handan City was broken, it was uncertain who was the prisoner of whom, Ying Zheng and Gao Jianli.
Talking about masturbation has nothing to do with history, above.