I'm only halfway through writing the introduction. . .
In fact, after reading it, you will find that each chapter is divided into two parts, Fn and Mn, with the female protagonist (F) and the male protagonist (M) as the first person respectively. The article is almost entirely dialogue and first-person thoughts on the conscious level. There is no description of the environment (but from this point of view, it is no longer a novel...) And there is no God's perspective. You don't know what the other person is thinking, and you don't know what others are doing in places you don't see. It's like a recording plus the protagonist's inner activities. I wanted to use words and sentences to distinguish the characters in the dialogue as much as possible, and use punctuation marks (such as ellipses) to express silence and some subconscious feelings in the characters' hearts and in the first person. Even so, I can still understand it because I wrote it, but others still find it confusing. . . In fact, I have written a story before that uses three people to alternately write in the first person (but not between Qin Xiao, that one is four parts centered on the female protagonist, the second male protagonist, the male protagonist, and the female protagonist, but it is still written from the third person perspective.) That was completely ignored at the time. . .
Conception:
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Just in time for the update! Happy! Come on, author, pen refills
Just in time for the update! Happy! Come on, author, pen refills