This article is written in the first person for three reasons: 1. The first person can avoid some areas that I am unfamiliar with and not interested in, such as war; 2. There are fewer first-person continuations online; 3. This article is as faithful to the original work as possible. Meng Lijun is a very complex person, and it is very challenging to write about psychological activities in the first person.
What I understand to be faithful to the original work is the idea of the article and the character of the character. Meng Lijun is a person who is full of poetry and calligraphy, and an unruly person at heart. She ignores imperial power, patriarchal power, and husband's power, only for the freedom of the soul. Due to the constraints of her personality and environment, she never had a true friend throughout her life and was lonely inside. On the surface, her elegance and wit are so unique on the official stage. Meng's contradictory character and life are the lasting charm of Rebirth.
This article is based on a light comedy style, with a tragic ending, or no ending, because I have been thinking about the ending of this book for many years, but I have never been able to think of a way out for Lijun.
Reader comments
Recommended [Vernacular Rebirth of Fate], a good article and will be finished soon.
Why are so many chapters locked?
Review, why not publish a book for such a good article? I can't find it on JD. Com
Recommended [Vernacular Rebirth of Fate], a good article and will be finished soon.
Why are so many chapters locked?
Review, why not publish a book for such a good article? I can't find it on JD. Com