This is the story of a traveler traveling through different worlds.
Quick passage, no cp. The author also has children, so updates will be very slow.
When does the dignity of a head wife depend on a concubine's "non-fighting"?
When does the dignity of a legitimate daughter depend on the "sensibleness" of a concubine?
This is a story about accepting resentment and resolving it.
HD Lan makes love and works hard to eliminate the sweet fantasies of all kinds of little girls ~ so of course she has no cp.
Conception:
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Original text: "Cheongsam?" Pei Jing wondered, "There are still people wearing this kind of thing these days. Hasn't the Qing Dynasty been destroyed long ago?" After reading these two sentences, I immediately suspected that the author did not live in the same world as me, and no matter how awkward I read it, the cheongsam can make a modern person wonder. He lived in the barren mountains, and the cheongsam generally refers to the improved cheongsam after the Republic of China. The author wrote the article very carefully at the beginning, depicting all kinds of images of all living beings in society. The more he wrote, the more stereotyped and cliche he became. The heroine no longer had the appearance of indifference and elegance. It would have been nice to have a deeper connotation, but not. The transition from humiliation to forgiveness in the first chapter was not smooth. Not only was the article pale and weak and could not withstand scrutiny, but the article was also written without care.
Will Xu Shixiao's relationship with Lingyuan end? . . . .
[Quick Travel] Goldfinger Hunting Notes
Red Mansion. the Day of Brushing the Copy
Original text: "Cheongsam?" Pei Jing wondered, "There are still people wearing this kind of thing these days. Hasn't the Qing Dynasty been destroyed long ago?" After reading these two sentences, I immediately suspected that the author did not live in the same world as me, and no matter how awkward I read it, the cheongsam can make a modern person wonder. He lived in the barren mountains, and the cheongsam generally refers to the improved cheongsam after the Republic of China. The author wrote the article very carefully at the beginning, depicting all kinds of images of all living beings in society. The more he wrote, the more stereotyped and cliche he became. The heroine no longer had the appearance of indifference and elegance. It would have been nice to have a deeper connotation, but not. The transition from humiliation to forgiveness in the first chapter was not smooth. Not only was the article pale and weak and could not withstand scrutiny, but the article was also written without care.
Will Xu Shixiao's relationship with Lingyuan end? . . . .