"Silent Melody", which shares the same world view as the "RHUMA Memoirs Trilogy", describes the Baroque musicians Bach and Vivaldi, and the character relationships also inherit the trilogy.
In 1707, Bach came into contact with Vivaldi's music for the first time from Mühlhausen to the palace of Archduke Wilhelm Ernst in Weimar; the prince's several trips brought more works by the Venetian musician. At first, Bach adapted Vivaldi's concertos just to educate the prince. However, as the work progressed, these works not only taught him how to achieve order, coherence and proportion, but also reshaped his soul...
On July 28, 1741, when Vivaldi, who had been neglected by the world for many years, died alone in poverty and disease in Vienna, he did not know that in far away Germany, there was a descendant whom he had never met who still loved him and his music deeply. On the same day nine years later, after Bach passed away, the melody of Venice that had only remained in his memory for a long time became silent, and it remained silent for two centuries...
Could it be that the melody that has kept Venice silent for two centuries can only remain in the memories of two people who have similar minds but cannot meet each other? How much more sorrow and despair would Bach, who was deeply moved by Vivaldi in 1707, have to go through?
Conception: