Later generations of literati said that Emperor Wen of Wei Cao Pi was good at playing power, scheming, ruthless, and unkind.
They didn't know the desolation and sadness in the heart of the proud and elegant heir. They didn't know that he was actually her. She was destined to be a victim of the Sima family's pursuit of power from the moment she was born.
The truth of the matter was buried by time and never saw the light of day.
Many years later, Cao Pi changed her identity and name countless times. Whenever there was snow falling in the sky, she could not help but think of someone, not Zhen Ji, but Guo Zhao, that woman with unparalleled intelligence, that woman who hid her edge and heart, that woman who clearly had a peerless appearance, but deliberately concealed it. The only woman who knew how to appreciate her huge ambition, the only woman who could accompany her to the Nine Phoenix Tower, it was just that at that time, she didn't know until she lost her that her heart was filled with her.
Students who are reading should pay attention to a few points:
First, this article is divided into three volumes. The first volume involves direct quotations of some historical facts. All places where I have not mentioned the source should be automatically attributed to the plot of the novel. Be sure not to be misled by me, lest your history teacher wants me.
Second, the protagonist of this article and a large number of supporting characters in the first volume have historical prototypes. The author tried to shape his character according to the prototypes in the Twenty-Four Histories as much as possible, and wrote the ending according to historical facts. Therefore, the rhythm of the first volume is limited by the outline and history. I set it to be dominated by slow rhythm in the first half, and suddenly speed up in the second half to reach the climax. The plots of the last two volumes are not restricted by history, so the overall rhythm will be significantly accelerated. Those kids who are telling me that I want to be a filial piety and resurrect Gong Jin after his death, those kids who want to see the two protagonists stick together right away, and those kids who dislike me for being too slow in the first volume, I want to say: I really can't do it! It's difficult to write a novel with a historical background! All kinds of restrictions are imposed by historical facts! Is there any! Why did I write something with a historical background? Now you are reaping the consequences, right? I should write an imaginary background, and I have the final say on my territory! Is there any! Now I can't use any of the Tang, Song, Yuan and Yuan dynasties, forcing me to turn to Warring States Policy, Zuo Zhuan, Historical Records, Hanshu, Later Hanshu, and Three Kingdoms. It's so sad to write strategies and play with depth! Is there any!
Readers who entered the trap before 2015, please note that I found that I missed a whole chapter, so between chapters 57 and 58, I added a part each to ensure the flow of the plot. I didn't notice it before. I'm very sorry%>_