I just want to give a complete story to people with incomplete characters, and incompleteness to perfection is my pursuit of human nature in this article. Because I can't predict what kind of life I want to give the character and what kind of emotions I want to put on it, it's always difficult to write the copy.
A wandering soul is needed, so Jiang Chenyue condenses into the main theme, and "I" serves as the main line, pulling out their story step by step.
Death is certain, which is the royal road of detective novels. In fact, what I want to create is more inclined to the suspense genre (jj can't help it if I don't give me this option). After all, we already have Sherlock Holmes, Akechi Kogoro, Kindaichi Kosuke... There is really no need for me to try to make people laugh in this class. In other words, there is no detective or detective, everything is left to our client to discover the hidden wisdom and uncover the truth behind the many fogs.
Ian is about to go to Nanjing, and before leaving London, he decided to go to New York to watch the master's art photography exhibition. However, Jiang Chenyue, the planner and instigator of this trip, never showed up. "You can't go to the Chinese area," was his warning. Ian didn't have much curiosity, so he followed the advice and carefully avoided the Chinese, but he didn't expect the Chinese to find him - it was a photo.
What is the "gospel"? Are they the four gospels of the New Testament? Is it an emerging organization? Or as small as one item? Or is it just a meaningless term?
What is Jiang Chenyue's real purpose in letting Ian go to New York? And why hasn't it shown up yet? And that weird photo? Everything is like an undercurrent surging under the calm water, and Ian is a helpless fisherman on the water, with a thin fishing line tremblingly connecting him to the truth behind the secret.