Based on the society of the Daqi Dynasty, where "men and women have equal rights on the surface, but hidden prejudices abound" as a shell, the film draws on the survival scenes of women from different classes within the wealthy family.
There is no competition between females for love, and there is no strong man descending from the sky to redeem love.
Some people use their strength to reshape the rules at the top of the system, take advantage of the situation to gather power within the framework, work around the gaps in the rules, and form their own faction outside the evaluation system.
Some are tough, some are roundabout, some are dormant, and some are sincere.
No one is a model of "the right way to live", and no one is a complete winner or loser. It just shows the diverse survival wisdom of women in difficult situations.
For men, the heartbeat is real, and restraint is real; the calculation is real, and the facial expressions are also real.
They can hide their passion for the future, they can weigh the pros and cons sincerely, and they can let go of the past for their beliefs.
The final point is always: who am I and who do I want to be...
[No golden fingers/no time travel/no competition between men and women] [All villains fighting for power and career]
——The beautiful, strong and miserable empress who kills and decides × the cold, dank male ghost and powerful minister————
The male and female protagonists have dual strong sapiosexual CPs, the female protagonist is determined to become bigger and stronger in her career, and the most handsome male protagonist plays the third role for love.
Purpose: Use ancient metaphors to look at the growth of women in group portraits