When we were young and grew up in the same neighborhood, a crayon drawing captured our ignorant thoughts. The teenagers parted in a hurry. After a long time, a piece of engagement paper finally brought us back under the same roof.
I was trapped in suspicion and restrained myself, thinking that his tenderness was a compromise after weighing it. The incomplete old paintings in the wallet, the locked wooden box, and the secretive past all made me certain that there was an unreachable white moonlight hidden deep in his heart.
It wasn't until I opened his diary that had been dusty for fifteen years that I suddenly realized that he had been wandering around for half his life, never for others. He had guarded the laurel tree we planted together when we were young and the unspoken feelings he had kept for his entire youth.
It turns out that from beginning to end, it was him who crossed the mountains and seas, wanting to place the eaves and moonlight for a lifetime.
Concept: A two-way secret love between childhood sweethearts, using marriage as a carrier, using misunderstandings to create delicate emotional tension. The low self-esteem and separation in childhood, and the tolerance and protection in adulthood break the secular inertia of "Bai Yueguang is someone else" and reveal that long-term love is never a vigorous obsession, but a determination that spans the years and is hidden in the daily fireworks. The heroine realizes her self-awakening amidst suspicion, and the hero fulfills his youthful promise in silence. In the end, the two of them break down their estrangement and understand the best form of marriage. It is when young people's heart beats to find a home, and they spend the rest of their lives together under the eaves of fireworks, completing two-way redemption and female emotional growth.