I am a little white flower who was forced to enter the palace and become a queen for the sake of my family.
The emperor had Bai Yueguang in his heart. He asked me to learn how to talk and walk like Bai Yueguang, and to wear plain clothes that Bai Yueguang liked.
I played the role of stand-in conscientiously.
Until one day, Bai Yueguang came back from the border.
She rides her horse and whips her whip, dressed in red, and looks bright and flamboyant.
The emperor's eyes widened: "It turns out she likes to wear red."
That night, I put on the red phoenix robe that I had treasured for many years.
In the morning of the next day, I sat on the dragon chair and ate melon seeds.
"Now that the real master is back, I'm tired of sitting in the back seat."
"Why don't I take the seat instead of this country?"
Purpose: This article explores the reshaping and awakening of female identity through the stand-in queen's journey from tolerant imitation to finally tearing off the disguise and taking control of the country with the female general. When the "stand-in" in the eyes of men breaks free from the shackles of emotional dependence, two women who are suppressed by the same power system choose to join forces to rewrite the rules, break the male narrative of "red and white roses", and declare that women do not have to look for value in the expectations of others, but build their own chess game with their own hands.