Late Ming Dynasty.
Chen Miaoqing, a lady of the family, got lost at the temple fair and strayed into the depths of the courtyard. She met a false love affair and became sincere.
She said, "I pour a glass of wine on Su Xiaotong, so I know that I am the one I love."
This is a poem by the talented girl Feng Xiaoqing
Since they are both women, why are they also lovers?
When I read Feng Xiaoqing in the old days, I only lamented her lonely figure and her pity for herself and others. Now, after experiencing it personally, I know that the idiots in the world are always the same.
Those women who take pictures by the water and pity themselves with poetry
Some died in the spring of seventeen;
Some burned all their poems and died of illness under the shadow of plum blossoms on a lonely mountain;
There is a talented woman on the Qinhuai River who redeems herself, supports a pavilion of romance, and supports more homeless women;
There are also people who guard a big house and remain unmarried for half their lives, supporting a roof for their younger siblings.
There are countless ordinary women who are struggling silently, but no one takes their names.
Later, the country was destroyed and the family was destroyed.
Some people find their way in books, some hide in poems, some use flesh and blood as walls, some live like a temple, and some lock their hearts in the bottom of the dossier and never open it for the rest of their lives.
In this life, I have forgotten all my past affairs. When I look back, I miss the old people and feel pity for the old me.
You are not mortal, why should you take yourself lightly?
(This article is a serious drama. Those who like writing styles such as "A Dream of Red Mansions" and "Three Words and Two Patterns" can read it. There will be many scenes of Ming Dynasty market and boudoir life. Babies are also welcome to provide valuable opinions)
Purpose: to observe the floating dust of women in the late Ming Dynasty through the eyes of the two heroines
