Gorgeous

It snowed in spring in April and after the rain on the Chengdu Plain, screenwriter Zheng Xiaoxiao went to Hangzhou for an appointment with a new script, but was knocked down by Lin Chen running by the West Lake - the old love who had left without saying goodbye returned to her life in such a ridiculous way. From Chengdu to Hangzhou, from the meeting in Qingcheng Mountain to the reunion by the West Lake, the story of Xiaoxiao and Lin Chen is wrapped up in creative ideals and emotional trauma. Hospitalization with broken bones, nightmares, Lin Chen's guilt and apology, all failed to shake her insistence on "content is king". When Jiang Chun Film Television sought to purchase the script to renew Tian Lun Qian Kun's contract, Xiao Xiao refused to buy out and insisted on protecting the presentation value of the work with a cooperation plan. At the same time, the cafe owner Gu Xin knows people through tea and understands her delicate atmosphere through thirty-seven years of experience. The companionship of Xiaotong and his best friend Zuo Qing makes a foreign land feel like home. Lin Chen's gaffe after the hot pot banquet finally made Xiao Xiao confirm: some pasts are only suitable to be left in the spring snow in April. The sunflower seeds sown by grandma are sprouting, just like the belief in the little heart that "always chase the sun". When the snow-capped mountains are visible and the spring tea is fragrant, she will eventually find a new balance between creation and life - not forgetting, but moving on with scars. This is an urban story about women's growth, creative dignity and emotional self-healing. Taking the twin cities of Chengdu and Hangzhou as the axis, it uses daily details such as tea ceremonies, flower arrangements, and hot pots to describe the flexibility and perseverance of contemporary independent women between ideals and reality. Purpose: The work takes the emotional self-healing and career growth of contemporary urban women as its core, and explores three levels of propositions: on the emotional level, it presents the self-reconstruction after the trauma of intimate relationships, emphasizing the life attitude of "experience is luck" rather than indulging in resentment; on the professional level, it adheres to the creator's initiative and dignity in the work, and rejects instrumentalization and fast-food consumption; on the life level, it uses tea, flowers, food and other oriental daily aesthetics as carriers to interpret the contemporary life philosophy of "being in the world and being out of the world". The overall message is: true strength is not to forget the scars, but to still choose to pursue the light despite the scars.