Li Wanqiu's life began when his father said "the last note should be paused" when he was seven years old. Her father taught her using the erhu that the voice is not a weapon, but a load-bearing bone. She grew up with this sentence - her mother burned her music school registration form, her first love left the words "go forward" at the train station, and after her husband cheated on her, she left the house, saddled with a debt of 300,000 yuan, and raised her depressed daughter alone. She traveled to cities, mountains, grasslands and celestial burial sites, writing songs one by one about silence, grievances, tears and the pain in the bones. Those songs were stolen, heard, claimed, and finally sung back by herself line by line. At the age of forty-one, she stood in the Beijing night and wrote a song. The title of the song is the title of the book. What she sings about is not her own suffering, but the uncrying ending sound in her heart of everyone who has grown their own bones in the ruins - paused and became light.
Concept: Real strength is not to never shed tears, but to boil the tears into bones and then sing the bones into songs.