Qingcang Mountain hides a stream, a deer, and half antlers. Su Yan lived here in seclusion for ten years, writing under the pen name Mu Lin Guanlu, and kept his integrity.
Linglu discerns people's hearts and only protects those who are honest and upright. The remaining papers of the imperial court a hundred years ago were hidden at the bottom of the stone, recording the unjust cases of Jinghe and Wenhuo that were deliberately tampered with by the current dynasty.
Jiangnan's literary style was counterfeited and stigmatized by wealthy businessmen, but he suppressed the chaos with one article; the aristocratic family secretly had murderous intentions, and the deer crowed thousands of miles away to protect him. Recruited by the emperor's secret edict, he went north to the Beijing History Museum alone, using his pen and ink as a shield to face the intricate network of civil servants.
The mountains and fields can be used to meditate, while the mountains and rivers are hidden in the pen and ink. He does not seek fame and glory, but only wants to write down centuries of injustice and leave an inch of clean literary mind to all the pen writers in the world who stick to their true intentions. A deer with ink, half an inkstone of spring and autumn, the gentle background hides the undercurrent of the court for centuries.
Purpose: to uphold justice with pen and ink, and to judge the past with bones; to expose the centuries-old lies of aristocratic families that tampered with national history and monopolize cultural context through the journey of the scholar in the mountains and the scholar Linglu, to interpret the author's original intention of seeking truth without deception and to be willing to persevere, and to convey the humanistic ideal that history books should record the right and wrong of the world, and should not cover up the truth for personal gain.