Play into the Country

The well-known drama actor Jiang Mingyuan once transformed into the only daughter of the leader of a run-down theater troupe in the Yong Dynasty. The troupe leader offended a local wealthy businessman and had no choice but to take the troupe north to Yujing City in search of a chance to survive. As a result, business was bleak, and the family was crowded into an old house with rent arrears, almost without food. The mother who died young, the father who was too affectionate, the cousin who went astray, the old, the weak, the sick and the disabled who are waiting for food. Jiang Mingyuan's scalp went numb when she saw everyone there. Could it be any worse? Able! In the past, the landlord wanted to be beautiful and forced her to become a concubine. Later, some colleagues suppressed the theater troupe, and the competitive environment was harsh. Not to mention that singing and opera were very popular under Dayong. What kind of author could come up with such a tragic setting! ! ! Pessimistic version of Xiao Jiang: The beginning of the collapse of heaven, how should I save this three-no troupe with no money, no power and no connections! Optimistic version of Xiao Jiang: The fictional dynasty just happens to cause trouble! Kun Opera combines drama and ancient and modern Chinese and foreign literature to make great innovations. The neighbors watched indifferently, and even some people within the troupe had long secretly speculated that in a few days, they would pack up and return to Yangzhou in disgrace. But Jiang Mingyuan doesn't think so. Hateful love, marriage first, love later, childhood sweethearts, reunion after breaking up, chasing my wife in the crematorium... She wanted to let the people in Jade City see what it means to be a well-read scholar! Everyone in the theater troupe: Mrs. Jiang is a blessing in disguise. She can sing operas now, her martial arts level has also increased, and she is in great shape! - The Yun family in Mangzhou became the richest family in Mangzhou because they were the first to take advantage of the dividends from border trade. There is a local saying that "the Yun family's gold and silver are worth half the treasure." There is an undercurrent of undercurrent in the Yun family's inner struggle for the young master. Yun Qingduan moved back to his family from Yujing City when he was young. He has always been weak and neglected in the clan. He knew very well that if he wanted to make a comeback in the inheritance competition, the only chance to break the situation was to revitalize the Jiansong Building, which had long been abandoned by the family but carried the beautiful memories of the old patriarch and his deceased beauty. At first, he helped Jiang Mingyuan out of appreciation. The so-called cooperation is just an opportunity. Seeing the dilapidated theater troupe that was about to be disbanded come back to life, he truly began to cherish and love talents. The men and women are not tired of working together, and their theater troupe and theater became popular under the joint management. Only then did he truly see this girl's amazing ability to make money, and lamented why she always came up with endless novel ideas. What's even more rare is that the other party is not just a gimmick, but has a solid foundation in Kun Opera. After watching her singing, I will never see anyone else in my eyes. Yun Qingduan wanted her to live under the rising sun and never wither. Jiang Mingyuan: The heirs of the Yun family are just the founding generation enjoying the legacy of their predecessors. They may have a good reputation, but in reality they are constrained by their elders and do not have much freedom. Mr. Yun, do you dare to be a founding generation with me? Yun Qingduan smiled slightly: As long as I'm with you, it doesn't matter what I do. A flower grower wants to be with his flowers forever. [Reading Guide]: 1. Imaginary background, please do not pay attention to it. 2. Both men and women are clean, and the male protagonist's biggest role is to help the female protagonist's career development. Purpose: Use drama as a blade to break the shackles of the world