Chen Shuang, 23, lives alone with her sister's 4-year-old child (Chen Shuo).
She wore a silver ring on her left hand all year round and lied about being widowed. She used this lie made by herself to block all prying eyes. No one knew that this ring was not a wedding gift, but a symbol of protection that she bought alone on the day she picked up the scarred Chen Shuo. The letter S was engraved on the inner ring, one end tied to herself and the other holding the child.
The entanglement between her former brother-in-law and her family, the breakup of her original family, the regret of her sister's sudden death, and the phone call she never received, all trapped her in place. Chen Shuo has personally experienced the shadows and has an introverted and sensitive personality. The two people who only rely on each other maintain a peaceful daily life amidst the daily necessities and gossips of others.
Until twenty-six-year-old Shen Tang appeared.
Three years older, she is calm and restrained, with clear eyes. She can see through Chen Shuang's fatigue and fragility under the hard shell. She also patiently melts the uneasiness in the child's heart. She approaches with a sense of propriety, slowly making ripples appear in the frozen life.
Discussions in the tea room, chats with strangers, collapse alone late at night, and the suppressed depression in my heart followed one after another. The secrets of the silver ring, the scars from the past, and the feelings that I dare not express aloud, are gradually revealed with each tug.
From colleagues to heart-throbs, from restraining temptation to frank embrace.
Purpose: To tell the story of young women facing trauma and completing self-salvation, to depict the sincere same-sex friendship among young people, to explore the estrangement between native families and self-reconciliation, and to use daily fireworks as the background to convey love and companionship.