When I was in elementary school, I watched Zhou Zhao's version of "Shanghai Beach" for the first time on a black and white TV. I was still confused about everything. Of course, the most impressive ones were the suave Wen Qiang and the unparalleled Cheng Cheng. Some of the old-school fighting scenes are still fresh in my memory.
"Shanghai on the Bund" not only contains the toss-and-turn love and hatred, but also the overt and covert struggles of various forces. It also naturally integrates the patriotic feelings of protecting the family into it. "Shanghai on the Bund" is a microcosm of that era. When darkness and light coexist, hope can always lead us forward.
The Buddha said that people are born to suffer. Although tragedy is shocking, the ending of reunion can also be immortal.
I want to realize my dream.
Xu Wenqiang survived the catastrophe of life and death and went to Whampoa to rebuild his life; Feng Chengcheng returned from studying abroad and renewed his relationship; the Japanese invaders colluded with the inner ghosts, and the demons and demons were ready to move, and all the forces came to the stage. In Shanghai, the king returns, the storm rises again, and I will live up to the sky and you.
Purpose: Return to Shanghai in the 1930s and write about the feelings of family and country