Anna's criteria for applying for a job are simple: high salary, free time to write scripts, and a boss who is not too outrageous.
Edmund Shaw satisfies the first two perfectly.
Oscar winner, Dior spokesperson, recognized as the most well-attended celebrity in the UK - polite, punctual, remembering everyone's name, knocking on the door before entering the office, and even apologizing for arriving early.
It's just a little weird.
She doesn't show her upper body, never takes the initiative to eat, her circle of friends is full of mysterious beauties who don't even give her last names, and there are several "private" areas on her schedule that will never be touched. The fight scene in the hallway was analyzed frame by frame by a martial arts coach and deemed "not staged."
Anna feels that these are still within control.
Until a Boeing 747 crashed over Alaska, a man with golden wings moved it back to the runway with his bare hands, and her boss calmly said to her in the kitchen: "Yes, the person you saw that day was the Pope's brother."
Behind the most respectable and mysterious top boss in Hollywood stands a mysterious organization with a history of 3,200 years.
What is his assistant responsible for?
Responding to Dior emails, saying no to any shirt-less ad creative, making sure he eats lunch every day, writing on a sticky note, "The Guardian will ask about accents, don't let him get away with it."
And, going to work normally on the day when world physics collapsed.
(Note: The male protagonist and the female protagonist are not CP, not CP, not CP. Say important things three times!! The female protagonist has no CP, if not, there is no CP. The male protagonist's wife appears at the beginning and her childhood sweethearts are stronger than ever.)
Intent: No matter how heroic and grand the story is, it needs to be digested daily when it comes to reality.
