A car accident during the graduation season crushed a couple's youth and love. An amnesia completely severed all the common past between the two. The once intimate lovers have since become the most familiar strangers.
In this world where memory can be medically intervened and has social effectiveness, memory is no longer just a private memory, but a special resource that can be repaired and tampered with. In order to restore the broken love, the protagonist faces the emotional fault caused by amnesia, trying to piece together the scattered memory fragments of his lover and make up for his past mistakes.
The road to rebuilding love is full of thorns. Doctors' professional intervention, family members' strong obstruction, limited time pressure, and their own paranoid desire for control and escape mentality have constantly become obstacles to the reconciliation between the two. Should he obey medical authority, reset his memory, accept a new dull relationship, or go to a real past full of pain and unknowns?
In the depressing and tangled gray atmosphere, the two were repeatedly pulled between the true and false memories, and the choice between love and hate. Suspense and warmth are intertwined, regret and hope coexist. They explore the essence of love in the broken time and complete self-salvation and emotional reconciliation.
Purpose: The work uses the emotional reconstruction journey of amnesia lovers as a carrier to explore the nature of memory and love. Breaking the inherent perception that "memory is reality", it reveals that when memory can be interfered with and tampered with by technology, sincere love is far more powerful than solidified past memories. At the same time, it shows self-deficiencies and growth in intimate relationships, interprets people's struggles and choices between trauma, rules, and emotions, and conveys that true love is not about recreating the past, but about facing mistakes, accepting imperfections, completing two-way redemption in persistence and relief, and heading towards a new future.