This is not a good story, more like a philosophical novel or spiritual literature. It is not a traditional dramatic trend, but a purely internal writing of prose culture. It is not driven by conflict plots and does not aim at shaping characters. It presents a state. It really consumes a lot of my energy.
The plot is like human skin, which is easily corrupted. Beauty and ugliness have their own definitions. There are interesting stories that I never tire of listening to. There are as many beautiful women and handsome men in the city. There is nothing new in the world.
This work is destined to be a niche and difficult to be accepted by the consumer market. It does not consume emotions, is not a toy to kill time for fun, does not please, does not create false hopes, does not avoid pain, and does not indulge in pain. It is like a slow-flowing river, carrying sand, fallen leaves, sunshine and shadows, and finally flows to a place called acceptance.
Honest questioning of the ultimate question, while not leaving the current real-life background. This stream of consciousness method makes my soul real and present it in words in a more indescribable but unmistakable way. This is the meaning conveyed by words.
Through the ideological trajectories of three women, three-dimensional characters are not created, but the trajectory of growth and three possibilities. It says nothing but sees through presentation.
What you see is what you see.
It begins with a sacrifice and ends with a death. Who died, and who was sacrificed. You are in me, I am in you, the cause is the effect, and the effect is the cause. Many scenes and dreams have symbolic meanings and are worth recalling and experiencing. A world with myths is tolerant, open and childlike.
Intention: About reincarnation, cause and effect, love, career, the inner struggle of modern people, and the conflict between self and environment.
