[Saint Seiya] Coffin of Jingshan

After an accidental death, he traveled into the world of Saint Seiya. Su Jingshan was holding baby Athena in the sea as soon as he landed. His head was buzzing. Su Jingshan, who realized that he knew the plot of Saint Seiya after time travel, simply saved the dying Sagittarius Aiolos, a 14-year-old who was being hunted and fled. As a result, various accidents he experienced made Su Jingshan unable to escape from the Shiroto family for more than ten years. He was completely involved in the civil war in the sanctuary, and was considered a companion by the goddess of the sanctuary. Jingshan was speechless. In desperation, I can only hold my nose and live for a few more years. With a body with many defects, I accompany Sagittarius and Athena through a series of story developments such as entering the palace, Northern Europe, and naval battles. But before everything started, Su Jingshan, who learned that the Sagittarius Saint Cloth was lost, very much hoped to take back the various butterfly effects he had caused before the Battle of the Twelve Palaces. For example, the lost Sagittarius golden cloak and the golden arrows inside it... After thinking about it, Jing Shan discovered the fact that he saved people at the beach: Did the plot already start to deviate from the direction of the original work before the time travel? So in the end... And on the day Su Jingshan rescued Sagittarius, While struggling to survive in the sea prison, I suddenly saw the Sagittarius Sacred Cloth Box floating over. I pulled the box over to check, and found Gemini Dark Star Gallon with excessive blood on it:...? ! Did Saga kill Aiolos? ! So... Saga, you duplicitous bastard, let me out! ! ! Holy Irregular Fanfiction Essay. The author's attribute is that the unconditional end point is omnivorous and some cash recharge. I eat whatever readers like and don't like. I mind if the author's attribute does not recommend clicking in to watch. It is forbidden for characters to make comments that are offensive. There is no need to study the logic of this article in detail. Some male character behaviors and male psychological analysis belong to the author's personal understanding. If you want to debate who is more right, then you, the unconditional viewer, are right. The special character Saga's character design refers to the comic extra chapter where there are more evil spirits. I will also use the settings of the characters in Kurumada's later extra chapters. If you can't accept it, don't disturb me. The author writes the characters this way purely out of personal preference and director addiction, and is too lazy to care what others think. There is no intention to mix in any part of the setting of the character that is recognized by the fandom audience in the fan community, and the consolidation, refinement and change of certain cognitions of the character's understanding. If the subsequent article really has an impact in this regard, then I may take other actions after careful consideration, and the right of interpretation belongs to the author. If you tell me more, some people will think that you posted this thing just to participate in the competition for the character and remove the official author's second right of interpretation. Let me first state that the author himself does not do this! ! ! The author doesn't hang around, and there are basically no fans in the same circle who have long-term communication with the author. The author's views cannot represent the views of a certain small group, and I refuse to be dragged out by some small groups to fix, slander, and rigidify the character's character explanation and plot creation in front of other fans. The protagonist was a girl in her last life. She believes that there is a person first and then a gender. This is the underlying code. She is a harmless otaku who is fundamentally unable to adapt to the social life of ordinary humans with genders/gender roles. The protagonist is unable to control, analyze and conjecture the psychological activities of different human beings. This is the protagonist's daily life and secret. Tip: The body that the protagonist has after time travel has no gender. For convenience, he will act with a female social identity and posture. Later, he may also disguise himself as a different identity and appearance due to the needs of the plot. The main characters and important supporting characters in the whole text are basically in the direction of cb. Occasionally, some characters have arrows → that are not obvious towards the protagonist or other characters. The main text does not have too many emotional scenes that cannot be completed in cp. Extra if maybe Concept: A genderless humanoid observing the world of saints and goddesses.