On Su Su's twenty-second birthday, she made a wish to the shooting star: Give my mother back to me.
The next day, her mother Wen Wanning, who had been dead for six years, was actually lying beside her bed - but inside her body was the soul of her poisonous boyfriend Song Yu.
Song Yu was forced to take the top job, and was reduced from a cold CEO to a caring mother: tearing green tea for her, holding parent-teacher meetings, and dealing with her ex-husband.
Su Su thought it was a ridiculous accident until she dug out a round fan left by her mother.
The fan is embroidered with a line from "The Peony Pavilion": The moonlight is like water soaking the tower.
The moment she touched the fan, she fell into Lin'an City in 1937——
On the stage, a famous Kun Opera actress who looked exactly like her mother was singing "Jing Meng". Off the stage, the lover of that famous actress had Song Yu's face.
It turns out that my mother's death was not an accident.
It turns out that Song Yu's illness was not accidental.
It turns out that the obsessions of two generations were hidden in this fan and had been waiting for eighty years.
One body, two souls; one modern day, one Republic of China; one daughter, one lover.
He must be in his mother's body and help her find the answer that her mother could not say back then.
Concept: When the body of a mother who wishes to be resurrected lives in the body of her boyfriend, a ridiculous cohabitation life is forced to begin. An ancestral round fan connects the story of Ruan Yuesheng, a famous Kunqu opera singer in Lin'an City, and Shen Hanzhou, an underground party member in 1937. In the process of tracing the truth behind her mother's death, modern-day daughter Su Su accidentally discovered that her mother was the reincarnation of a famous actress from the Republic of China. Her last wish was to find the top-secret information that she failed to send to protect her lover. Two time and space go in both directions, and two generations work together to complete a redemption that spans eighty years. In the end, the soul imprisoned by obsession finds rest, and the body cursed by fate is reborn. The story uses light comedy as the shell, suspense as the skeleton, sadomasochism and family affection as the background, and explores the ultimate form of maternal love - she can die for you twice, or she can live well for you in another time and space.
