Before her father died, he entrusted the troupe to her, and seventeen-year-old Zhao Zhener had to support a dozen people. She met the painter Meng Yuan in a water town in the south of the Yangtze River. His eyes were burning with the flame of dreams, but she was dragging the entire team behind her, and she didn't even have the qualifications to say "I like you too." She wrote "Thinking of Fan" for him. Years later, that piece of drama has been sung for thousands of miles, and no one knows where it came from.
The play says things for her that she dare not say to others.
From the ancient song "Nie Hai Ji" to the opera "Sifan", how to choose between emotion and responsibility? If reality is not as satisfying as you want, you can leave the dream in the play.
(Thanks for reading this article, it has been overhauled)
Concept: If reality is not as satisfying as you want, you can keep your dreams in the theater