The female protagonist is emotionally dominant, knowledgeable, and tenacious | The male protagonist appears to be strong, but in reality is emotionally low. What he says in the early stage and what he thinks in his heart are never on the same channel. (This kind of nonchalant male protagonist is the most cruel to stick to)
The day she left, without explanation or farewell, she created a ruin with her own hands and pushed him into it.
He expanded his business territory, withstood the pressure from his family, and made himself invulnerable. Only his emotional system was frozen and stopped in place.
Four years later, on the streets of Manhattan. She was so chased that she grabbed his arm and asked for help. He cooperated with her in a play and solved the problem. They could have continued to go their separate ways, but instead he handed out a labor contract with the euphemistic name of asking her to repay her kindness.
During the contract, something was quietly deteriorating. He found something wrong with her. The combination of these aberrations pointed to a possibility that he had never thought of - maybe her departure back then was not just because she no longer loved him. Or rather, not at all.
And she gradually discovered that he had some secret obsession with seeing her and touching her.
Both of them stood in the mist created by the other party, testing, approaching, and then retracting their hands.
The day the truth comes to light, they will all understand:
It turns out I'm not the only one in pain.
It turns out you are in pain too.
The wounds of the past will not disappear, they will only become deeper and deeper. There are no winners in this scam in the name of protection.
There is no deputy CP and no third party. It is basically driven by the emotions of the male and female protagonists, involving some simple medical elements and a little bit of suspense. No detail is superfluous and fully serves the emotional line of the male and female protagonists.
The work does not have any tendency to abuse women, nor does it have any ideas of male power. The children can have male or female surnames. The sufferings experienced by the male and female protagonists are necessary plots to shape the image and are by no means imposed, and the sufferings of the female protagonist are not given by the male protagonist. The relevant medical parts are carefully referenced, and everyone is welcome to correct them.
The idea: how two people who reunited after breaking up can get back together with their accumulated pain.