Li Zhilan never thought that a series of bizarre murders in the martial arts conference would completely involve her fate in the struggle for hegemony among the Three Kingdoms.
The deceased were all masters, with wounds like ** and uncanny techniques.
When she was investigating the case, she met a young man from the Kingdom of Jin - he spoke elegantly, understood her confusion, solved her worries, and even blocked a fatal blow for her in times of crisis.
He said he was just a businessman selling beef and mutton.
But when the truth came to light, the murderer turned out to be her most respected master brother Yang Wu Jiu - a man who had been lonely, dull and silent since childhood, and who didn't even dare to kill a chicken.
He was possessed by a heroic spirit, sleepwalked night after night, and used the Yang family's marksmanship to harvest human lives.
And the young man from the north who made her heart beat was actually the prince of the Kingdom of Jin. He came to An'an in order to destroy the martial arts conference, wipe out the anti-gold forces, and seek permanent benefits for his empire.
An even more shocking secret was revealed: the master brother Yang Wujiu, the prince Wanyan Shouxu of the Jin Kingdom, and the powerful Mongolian prince Consort Yang Pojun were actually brothers. Their father was the only witness before Yue Fei's death, holding in his hand the "Wu Mu's Suicide Note" that could change the world.
The three forces of Song, Jin, and Mongolia gathered in Lin'an. Zhi Lan was involved in this fateful whirlpool. Family, love, loyalty, family and country were all shackles.
The man she fell in love with would eventually die at the hands of her two brothers.
Concept: Against the bloody background of Jingkang's shame, a daughter of the Jianghu was involved in the vortex of the Three Kingdoms of Song, Jin and Mongolia. She was repeatedly torn between the hatred of the country and her family and the unforgettable love, and she grew up in loyalty and betrayal, trust and deception. She is not a duckweed trapped by fate, but a knight who demonstrates female resilience and character in every decision she makes. From the innocent girl on Qingya Mountain to the lonely figure of the princess of the Kingdom of Jin, she always adheres to the morality and goodwill in her heart. Through her struggle and transformation, the work explores how women in troubled times can bear moral responsibility with soft shoulders and live out their own chivalrous tenderness in the inevitable fate.