There is a well-known "Brother Wan" Zhou Beiyou in the northern art circle. He painted Dunhuang flying sky on his body, painted and erased it, claiming to be performance art; he wrote about love as a hit novel "Only Ambiguous, No Certificate", and mocked marriage as "catching a wife to show off"; he claimed that being honest with women is "playing tricks with ghosts". This philosophy of playing games has made him a legend in the industry.
Until he met Lin Shen at an avant-garde art exhibition.
Lin Shen holds a PhD in Sociology from Columbia University, specializing in intimate relationships and contemporary emotional models. She is writing a major paper - "Commitment Fear in the Postmodern Context: A Sample of Urban Highly Intellectual Men". Zhou Beiyou, this walking "theoretical practitioner", perfectly meets all her sampling criteria.
Doctors in sociology study artists and are studied instead.
In the end, who dug the pit of love for whom?
Who is whose love enlightenment teacher?
Concept: Love is the only constant that makes all data meaningful.