[The gentle and sinister genius girl makes a big move vs the innocent and hot top performer in the entertainment industry]
Tanaka Suzu has a secret at Romance Academy.
She is the creator of the serial work "Heian Kyo Monogatari" in "Monthly Shoujo Romance" and is also the "God who cannot be blasphemed" in the eyes of her classmate Rintaro Kai.
Everyone thought she was as soft and harmless as cotton. Only she knew that her favorite "creative material" was the clumsy believer in the back who had a model face but would cry and convulse at her works.
When I was 18 years old, my family urged me to get married.
Rentaro, who has always regarded himself as a "believer", became jealous in front of God for the first time.
With delicate makeup still painted on his face, he held the stamped wedding certificate and blocked her behind the apartment door that smelled of ink.
"You are not allowed to marry anyone but me."
His voice was hoarse and full of desperate madness: "Gods... Can also be pulled down from the altar and privatized, right?"
At the age of 19, Rintaro made his official debut as a member of the top boy group F/ACE and is the dream lover of girls all over Japan.
But in the apartment late at night, he consciously put on an apron and obediently held the paintbrush to help his lover paint black.
"Cottonbell-chan, can you give me an extra kiss today as a reward for working overtime?"
"Rintaro-kun, the storyboards haven't been finished yet, so don't wag your tail."
Small Theater
One day, in the backstage lounge of a certain sports program, the staff were frantically discussing the sweet plot of the latest episode of "Heian Kyo Monogatari".
Staff A: "The author must be a gentle and intellectual big sister!"
Rintaro (inner OS): No, she is a sinister little devil who feeds me sweets while stabbing me in comics.
Staff B: "I really envy people who can be teachers' assistants."
Rintaro (silently clasping his hands): Sorry, I am the only one who can enter the teacher's house in this life.
Concept: The core of the novel lies not only in the thrill of "falling off the horse", but also in the "equivalence of understanding and protection."