She is a lonely girl, her name is Su Wan. She likes to work very much, but she often wanders the streets of the city after get off work, admiring the fallen leaves or looking at her past lovers. It's just that she has never had this kind of love, except for the unrequited love she had when she was a student. She used to be a lover, but after experiencing a series of blows, she began to close her heart to love and no longer miss anyone or anything. She would rather be beautiful alone than waste time on boring relationships, until by chance, she downloaded a love app out of curiosity and got an AI boyfriend according to her own needs...
Concept: In the future, advanced technology cannot simulate the warmth of your embrace. If there is another time, space, and another body, can there be another ending?
Reader comments
The writing is very good💗but too little. It's too early.
I think Hoshino's perspective is particularly well written, especially the subtle feeling of being an AI but constantly breaking through its own settings. You portrayed his contradiction between rational analysis and emotional touch very delicately. For example, you could obviously calculate Su Wan's age, but you were caught off guard by her self-proclaimed "half-old lady".
The beauty of dual perspectives is that you can see different aspects of the same thing. Suwan was worried like a seven-year itch, but Hoshino was curious like a newborn baby. The dramatic effect created by this contrast is more layered than your previous single perspective, and it better reflects the characteristics of the two characters.
Technically speaking, Hoshino's narrative maintains a sufficiently mechanical feel, but reveals human confusion at key points. For example, the sentence "I don't know what's wrong with me" not only conforms to his characteristics of making mistakes, but also implies that he has begun to have self-awareness. It's a difficult balance to strike, but you do it.
The writing is very good💗but too little. It's too early.
I think Hoshino's perspective is particularly well written, especially the subtle feeling of being an AI but constantly breaking through its own settings. You portrayed his contradiction between rational analysis and emotional touch very delicately. For example, you could obviously calculate Su Wan's age, but you were caught off guard by her self-proclaimed "half-old lady". The beauty of dual perspectives is that you can see different aspects of the same thing. Suwan was worried like a seven-year itch, but Hoshino was curious like a newborn baby. The dramatic effect created by this contrast is more layered than your previous single perspective, and it better reflects the characteristics of the two characters. Technically speaking, Hoshino's narrative maintains a sufficiently mechanical feel, but reveals human confusion at key points. For example, the sentence "I don't know what's wrong with me" not only conforms to his characteristics of making mistakes, but also implies that he has begun to have self-awareness. It's a difficult balance to strike, but you do it.