Every month, Hu Ke, a graduate student in folklore, would dream of a well engraved with ancient characters.
In the dream, she wrote symbols that did not belong to any known writing system, and her body began to resonate before her consciousness - cold, swollen, a mole between her eyebrows, and words in her blood.
During a field survey, she came across words that should not exist by the "Zimu Well" in Fangshan, Beijing.
From that day on, the moon phase pulled her blood, the well water responded to her call, and an ancient history that had been systematically tampered with by later generations began to awaken in her body.
The thing at the bottom of the well had already recognized her.
Purpose: To use female body experience (moon letters, blood, dreams, pain) as the interface of civilization to re-open the ancient maternal civilization that has been systematically tampered with by the patriarchal order of later generations. The work is based on folklore, paleography, and ethnic minority witchcraft rituals, criticizing the castration and administrativeization of living rules by "pseudo-order" and rebuilding the mutual recognition and echo of the female genealogy. It is not a simple gender opposition, but a questioning of the origin of civilization: when the world no longer relies on the female body to read the truth, what do we lose.