In the seventh year of the Yuan Dynasty of Dajing, the palace walls were covered with winter snow. The female Prime Minister Shen Zhiwei held up the poisoned wine, looked at the young monarch in black brocade robes in front of her, and wept every word: "Aman, in the next life, I will be your minister." The young man drank the poison with a smile, touched her blood-stained temples with his fingertips, and promised softly: "No, in the next life, you will be my wife."
Thousands of years later, Shen Zhiwei, a professor in the Department of Archeology, rediscovers the memories of his past life in the fragments of the Liao and Jin Dynasties. The charming actress Su Wan on the screen is the reincarnation of the young monarch. A bond that spans time and space closely intertwines the cold pile of old papers with the flashy entertainment circle.
Shen Zhiwei uses archeology as a blade to dissect the mystery of history; Su Wan uses the stars as a shield to protect those in front of him. They were once powerful monarchs and ministers, burdened with unfinished regrets; now they are close friends who are evenly matched, and they gradually develop deep feelings through the pull and temptation.
The conspiracies of the current world resurfaced, and when modern crises ensued, the two women broke through the shackles of time and space and stood side by side amidst the chaos in the court and the neon lights of the city. Not only do they want to redeem each other's past and present lives, but they also want to write an eternal song of "ignoring the small and seeing the late" in the dust of history and the torrent of reality.
Intent: Two-way redemption spanning thousands of years, and women's self-awakening under fate and power.