In April in Gyeonggi Province, flowers and letters are misplaced.
Above the court, Yue Ling, known as the "King of Flowers", should have belonged to the deeply rooted peony; however, a change in the etiquette system in the name of "cultural relics research" allowed peony to ascend to the altar that did not belong to it, and be in charge of April Fangfei.
This seemingly elegant "battle for the flower position" is actually a signal for the reshuffle of power in the court. It is a silent game between status and real power, with undercurrents surging, and swords and swords hidden among the petals.
The grace of the peony hides the edge of forbearance, and the beauty of the peony carries the burden of transgression. They are both the "orthodox" and the "deviant" in each other's eyes, and they are also the only support in the storm.
The bond begins with a silent trial of folding flowers and handing them over. Love and resentment are entangled endlessly. On the sea of hatred and love, a long drama about "dislocation" and "returning" slowly unfolds.
Intention: Bloom when you live, return to dust when you die, win or lose, success or failure is all determined by yourself.