[No system, study the original work to take advantage of the loopholes] + [Steady and cautious] + [Behind the scenes] + [Grassroots counterattack]
Zhang Hui traveled through time and became a mortal background in a cultivation novel, selling bean curds at the foot of the mountain where the protagonist cultivates immortality.
When the protagonist breaks into a secret realm, she is afraid of getting seriously ill; when the protagonist fights against the Demon Emperor, she is afraid of encountering gangsters; when the protagonist is happy in love, she is afraid of losing business; when the protagonist is high-spirited, she is afraid of the powerful landlords, she is really afraid of bandits after the troops arrive, and she is also afraid of no food in famine years!
Although the world of cultivation is full of dangers, human life is even more insignificant in the mortal world. Rather than being wiped out by the cannibalistic feudal society, it is better to venture into the world of cultivation, where risks are high and rewards are high.
But, I don't seem to have spiritual roots?
It's okay, there is a fairy grass in this novel that can shape spiritual roots.
After carefully studying the original work, Zhang Hui resolutely sold his belongings and followed the protagonist on the road to find fairy grass. Along the way, she carries forward what she has learned during her five years in the mortal world, speculating on everyone she meets as a narrow-minded villain with special skills, and treating everything that happens as a source of change that triggers the butterfly effect and beware of it.
Many years later, no one in the world of cultivation still knew Zhang Hui's name, but Zhang Xianzun, who was sitting firmly on Diaoyutai, didn't care about it: "Cultivation of immortality is an act against heaven, how can you make it public and seek fame."
Reading Guide
1. It is not a cool novel. It is very weak in the early stage (no spiritual roots) and will borrow a lot of power. Those who like to watch the protagonist fight purely on his own should be careful.
2. There is a male protagonist, but don't put too much hope in the emotional line. This article is my application article. When I conceived it, there was no male protagonist, but because romance is better than no CP, I turned it into a romance.
3. Every character has two sides. Steadiness can be said to be stubborn, and caution can be said to be timid. Behind the scenes, it is proved that the protagonist does not like to show himself or see the light.
Intention: grassroots counterattack