Forensic doctor Lin Wan died of domestic violence by her husband. The body was turned into a human skin lantern to sacrifice to evil spirits. The remaining soul was trapped in the dream core between yin and yang. She lost her memory and thought she was still alive in the world. There were a series of missing women cases in Jiangcheng, and the deceased were all made into lanterns. When she dissected "her" corpse, she awakened her delusion-breaking eyes and saw the horrific illusion of the deceased before their death. The mysterious Mr. Zhong appears with a ghost-killing team, wearing a black robe and half face in Peking Opera paint. He seduces people and destroys illusions. He uses a soul-inducing lamp to illuminate the road. He says bluntly, "You are dead, and I am here to give you justice." He led her into the secret marriage department under an abandoned funeral parlor, solving the mystery of marriage, tearing apart domestic violence demons, and fighting traitors from the underworld. With each case solved, Lin Wan's memory recovered. It turns out that she was a judge of the underworld in her previous life and was executed for reversing the book of life and death. In order to save her, Master Zhong used his soul as a guide to be trapped in the dream core and repeat the seven-day redemption. When the God of Obsession surfaced, Lin Wan finally understood: Killing ghosts is not the purpose, but the ultimate justice is to eliminate "women forced to silence" in the world!
Concept: 1. A critical attack at the beginning and a strong suspense hook: the heroine died tragically and was made into a human skin lantern. She was trapped in a dream and lost her memory and worked as a forensic doctor. She met her "own" body at the beginning. Within 300 words, there was a triple suspense of "who am I, am I dead, and who harmed me", with dense hooks. 2. Chinese thriller psychological erosion: Integrating folk elements such as ghost marriage, paper pricking, blood-written wedding invitations, and infinite corridors, it is not bloody but corrodes the bones - the anatomy table has eyes, the wedding letter does not get wet in the rain, the clock stops at 3:14, and the alienation of daily things creates an immersive fear of "ghosts are not scary, but things are scary". 3. Strong rhythm reversal: there is a small climax every 800-1000 words, and each volume is about a sister's desperate case (domestic violence, secret marriage, workplace sexual assault), the case has a reversal (the best friend is the accomplice, the police is the mole, the ghost is the victim), and the final reversal reveals that "the heroine has never lived, everything is Master Zhong's redemption dream." 4. Contrasting character design, the feeling of being favored by the group: Lord Zhong is cool and kills ghosts but secretly makes a soothing soup for the heroine. All the members of the ghost-killing group dote on their wives - changing tool boxes, guarding the driver at night, and competing to do odd jobs; the heroine counterattacks from the "beautiful, weak and miserable" remnant soul into Yama, tearing apart evil ghosts with her hands and trampling on evil people. The feeling of satisfaction and emotional value are both online. 4. Reality mapping Fantasy shell: Use ghost stories to write about human affairs, expose gender violence, marriage traps and other real pain points, make women's revenge resonate, and fantasy settings become the carrier of "justice", which is both relieving and profound.