"The God Maker" starts from the modern earth and tells the story of a mortal team with life philosophy scholar Chen Yan, quantum scientist Chen Wang, and industrial worker Lao Zhou as the core, gathering elites such as deep space architects, AI consciousness scientists, and cosmic medical scientists. Spanning the near and far future, from the earth to deep space, from the star field to the super-dimensional universe, it uses science fiction as the hammer, civilization as the material, emotion as the fire, and will as the mold. It breaks the rules of the universe, fights against high-level slavery, and tempers collective divinity.
This is not the narrative of gods and Buddhas in traditional mythology, but the self-creation of gods by human beings - from dust to stars, from mortal bodies to divinities, every technological breakthrough hides the emotional choice of giving up and perseverance; every tempering of divinity is engraved with the human imprint of love and pain. In the end, human beings used their mortal bodies to forge the gods of the universe, and forever engraved the essence of life of "transcendence and control" and the original intention of civilization of "free will" in the galaxy forever.
The rules of the universe are shackles, and the shadows of advanced civilizations are shackles. Human freedom is never a gift from gods and Buddhas, but an answer tempered by mortals with flesh, blood, wisdom and emotions.
Intention: control