One was born in the neon lights and sea breeze of Hong Kong, and the other grew up in the alleys and imperial city of Beijing. But fate caused the two parallel lines to intersect in the mountains and rivers of Guizhou.
Both are photographers.
One is a landscape photographer and the other is a humanities photographer.
Xie Miaoran's post is a "pure scenery party", so if someone else deletes it, it will be deleted.
Wei Luyun is a close-up of people and a foil to the scenery.
The two of them had a heated argument over the 'protagonist' in the frame.
The mouths of the two are not generally poisonous.
"The people in your camera look like they've been ironed."
"When you take pictures of landscapes, it's like retouching the earth."
"There are no traces of human beings, which is also a kind of cruelty."
"Your previous films were so beautiful that they didn't look like they had experienced winter."
"You're not taking pictures of the scenery, you're offering the scenery." Wei Luyun scolded Xie Miaoran, who was taking pictures of the scenery.
"You don't call it humanistic photography, but you call it portrait tourist photography - what about the scenery? Did you miss it or can't you see it at all?"
"The scene in your lens is just a ghost on the background. The person standing in the middle doesn't even care which country he is in. Isn't this called a photo attached to a travel document?"
"What has the scenery become to you? It has become the background. What has that person become to you? It has directly become the protagonist's background, and you don't know where it has flown." Xie Miaoran said.
Later, the two types of photographers finally stopped complaining to each other: those who took pictures of landscapes were willing to wait for the opportunity for people to take the shot, while those who took pictures of people also learned to respect the original order of nature.
Taking half a step back from each other makes the picture more complete.
It's not two people filming, it's one soul taking two camera positions.
Watching them work is even better than the finished film - that kind of tacit understanding of knowing who is filling in for whom without even speaking a word, is inherent in the composition.
Their combination is very similar to the left eye and the right eye: they can see accurately individually, but together they are called the visual field.
"Let's go, it's too boring to stay in one place, let's go see every place!"
Concept: When scenery meets portraits: a two-way rush in the viewfinder