When Luan Chu, the descendant of the endangered intangible cultural heritage "Jingwei Embroidery", met Xie Zhe, the helmsman of Eastern aesthetics who was coerced by Western capital, a huge gamble on the survival of culture kicked off at Paris Fashion Week.
He bet all his wealth just to say to her: "I will have no regrets."
In the name of inheritance, she used needles as swords and threads as strings to embroider the Eastern universe that silenced the world.
Three months, from the ancient alleys of Suzhou to the Paris show.
What they face is not only the encirclement and suppression of capital and internal betrayal, but also a life-and-death dialogue between ancient craftsmanship and modern aesthetics.
When the last needle falls, the star map flows on the skirt, and the black hole breathes in the light and shadow - the world finally sees clearly:
What they embroider is not only colorful clothes, but also Chinese wisdom that breaks down technological barriers.
And Xie Zhe's oath on the bank of the Seine became the most romantic footnote of this counterattack:
"Luan Chu, my duty is to do my best to lift you up."
"Let you and your warp and weft embroidery reach a height that I can never reach alone."
They use warp and latitude as blades to not only strive for a future for the embroidery shop, but also to break through and be reborn on the world map with oriental aesthetics.
Purpose: The true inheritance is not to lock the treasures in the window, but to give them a new life to dialogue with the world.