1. Overall structure (10 chapters × about 1,000 words)
Ch1 Before the Snow Falls - The beginning of the second year of high school, the first encounter between needlepoint and Maimang, laying the anchor point of "mutual dislike"
Ch2: Exchange of secrets——I found out that she had a crush on my brother and I had a crush on her best friend, and the two of them were forced to form an alliance.
Ch3 The Moon on the Roof——The first time "being alone late at night", both parties took off a little armor
Ch4 Fireworks and Disease - Summer Temple Fair + I suddenly had a high fever, she cooked "dark porridge", and my emotions heated up
Ch5: Rainstorm kiss incident - Trapped in the classroom on a rainstorm night, kissing in a wrong place, ambiguous but refusing to admit it
Ch6 When the Snow Falls - She suddenly mentioned transferring schools, parted ways at the station, failed to confess her love in both directions, leaving behind regrets
Ch7 Four years in an empty city——From college to entering the workplace, two parallel lines grow separately, interspersed with emails/text messages
Ch8: Street of Reunion - Reunion on the street on a blizzard night, identities reversed, she becomes "Party A" and I become Party B
Ch9 Icebreaking Voyage - Binding work projects, traveling to other places, and completely uncovering the truth about "transferring schools" that year
Ch10 After the Snow Falls - The renovation of the old station is completed, and a new "waiting booth" is built, echoing from beginning to end, HE
2. Narrative strategy
1.
The first-person perspective of the male protagonist is interspersed with a small amount of "her" handbook/emails for POV switching to complete the information gap.
2.
Timeline:
① High school sophomore to senior year (Ch1-Ch6) account for 45%
② The four-year gap (Ch7) accounts for 10%
③ After reunion (Ch8-Ch10) accounts for 45%
3.
Topic keywords:
"Dependence and Independence" "Symbol of Snow" "Growth Loop" "Two-way Redemption"
4.
Language style:
Light joy + fireworks, occasionally literary and artistic, but refusing to be overly pretentious; the dialogues are short, prickly, and have a sense of CP.
Intention: People don't have to be saved, they just need to be seen; snow doesn't have to melt, it just needs to be allowed to fall.