When He Pan opened his eyes, he was standing on the edge of the cliff at the finale of the sadistic novel.
She has seen this ending.
If he jumps down, the male protagonist will be heartbroken, the female supporting character will die a miserable death, and she will become the eternal white moonlight in his heart.
He Pan looked down at the bottomless cliff, then looked up at the red-eyed general hero not far away with outstanding acting skills, and the "Bai Yueguang" beside him who looked worried but was actually proud.
She suddenly laughed.
"Why can a woman be remembered only after she dies?"
"Whoever likes to take this white moonlight, whoever likes to jump on this cliff -
I, He Pan, start living only for myself today. "
Concept: When time travel becomes the heroine of a sadistic novel who is destined to be sacrificed, He Pan refuses to use death to fulfill anyone's affectionate narrative. She clearly exposes the exploitation "in the name of love". In a world where women's value is imprisoned in tears and tombstones, she chooses to take back the military symbols, people's hearts and the right to speak - not to sacrifice her love, not to rely on herself, not to imprison herself in hatred, but to use calm strategies to rebuild the order of existence. This work aims to subvert the narrative inertia that "women must suffer in order to be remembered" and write about a more tenacious victory: the real rebellion is not to fight for anyone, but to live for oneself; the most complete break is not to destroy the old love, but to become the definer of new rules.