When photographer Jiang Yeyao was stationed at the protection station of Baima Snow Mountain, he accidentally rescued his old acquaintance Chen Jieheng who was lost in the snowstorm. Now a well-known designer, he is here to collect ideas for the eco-resort project.
Jiang Yeyao was keenly aware that behind the development projects that Chen Jieheng participated in, capital was quietly eroding the boundaries of the protected area in the name of "ecology."
When Jiang Yeyao's lens captured the impact of development projects on nature, and when Chen Jieheng discovered that his design had become a tool to destroy nature, the two had to stand on the same front to face the pressure of capital and the unspoken rules of the industry.
From the snowy mountains to the city, from the lens to the drawings, two parallel lines of movement reunite at the intersection of ecological crisis. This is not only the reunion of two lost souls, but also the collision and fusion of two values. In the tug-of-war between nature and capital, they need to protect not only each other in their memories, but also the silent and precious land.
The rights of nature are never at the human bargaining table; its silent protests are written in the breaches of flash floods and the pulse of melting snow.
The story begins with a physical avalanche and ends with a conceptual reconstruction.
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Purpose: coexist with nature
