Rental literature. Pseudo-orthopedics.
The rebellious brother v the even more rebellious sister.
For both of them, if you mess with him/her, he/she will want to kill you. Very cruel, very difficult to mess with. They grew up in a deformed environment (deformed family of origin) and were covered in thorns.
About 150,000 words.
Copywriting
When Fang Yu was 17 years old, his mother remarried, and his uncle brought an older brother named Ji Han.
The family moved into No. 112 Shihua Street
But she doesn't like this brother no matter what.
Of course, Ji Han also disliked this sister very much.
She has never been a good child.
Ji Han was even more generous.
In other words, these two siblings are bastards!
They faced each other tit for tat and strangled each other to death.
Until that day, Ji Han bumped into Fang Yu being pushed against the wall and beaten by his mother.
He said nothing.
Only the next day, there was a bottle of safflower oil under her pillow.
After that day, something started to change.
[Reading instructions]
1: Both the male and female protagonists are very fierce, especially the female protagonist, who is the most prickly one, with a very prominent personality. The two are a two-way redemption, and the trauma is symbiotic.
2: The male and female protagonists are step-brothers and sisters. At first, they were tit for tat. Both of them were very venomous. At the same time, because both of them were in violent families, they had twisted personalities and spoke unscrupulously.
3: The background environment of this article is a deformed environment, so the characters' personalities and colors are quite extreme. It is purely designed for tension and does not represent the author's views. Please do not use real people.
4: Readers with strong moral requirements are not recommended to read this book. These two children are actually quite flawed, so they will attack wantonly because they are really, really, really, really sharp. So when we quarrel, we don't take anything else into consideration at all.
Concept: Character is the product of the environment. Rather than blaming the character, we should first understand the environment that produces the character.