In Ming Mansion, everything is dead silent.
Jiang Yueqing grew up in the border area, where women did not bind their feet or read female precepts. They were born to perceive the world. Things in the world are unpredictable, and she was forcibly dragged into the Tomb of the Living Dead in the Ming Mansion by fate.
Ming Wa was born into a merchant family, but lived in the shadow of his mother, Wang. It is the most perfect work that Wang has carved in his entire life. His feelings for Jiang Yueqing stem from the free self that he can never become.
The living creatures in the deep courtyard are all burial objects of the etiquette system.
Intent: The oppression of women under feudal ethics and the alienation of men under patriarchy