In a car accident, he transformed into a two-year-old child and was pushed into the water by his concubine as soon as he opened his eyes?
Mu Yan's charming spirit passed through Yang Yanwu, just as her mother was being treated harshly by her scumbag husband, and she and her daughter left for peace.
Fortunately, he had the support of his maternal grandfather (the number one scholar of the new dynasty + deputy privy envoy), and the love and protection of his four uncles: the calm eldest brother, the legal eldest brother, the war god third brother, and the infatuated fourth brother.
She hides her modern edge, adapts to the Song Dynasty as a child, and relies on the plot predictions of online editors to avoid disasters.
From an orphan girl who was dependent on her maternal grandfather, to the mistress of an aristocratic family who disturbed the back house and tore out the white moonlight, and then harmonized with the affectionate male protagonist, she lived as the most wanton noblewoman in Bianjing in an era when men were superior to women.
In Li He's poem, "Farewell to Luan and Feng Yan Wuzhong" finally became the perfection of "Wuyun, Shu and rain are connected from afar".
Purpose: Sober perseverance in dilemma: In the ancient context where men are superior to women, the heroine abandons the floating publicity of the time traveler and adapts to the rules with a clear mind of "hiding the front and keeping the humble". She neither blindly follows the pressure of ethics nor recklessly fights against the times. She uses wisdom to resolve family fights and officialdom undercurrents, proving that "survival is not about compromise, but about keeping one's heart and bottom line within the rules." The tender power of two-way redemption: the heroine is reborn with the protection of her maternal family, and the hero seeks an alliance due to family grievances. The two go from "meeting each other through calculation" to "standing side by side." Female autonomy and diversified growth: breaking the shackles of "female values dependent on marriage" - the female protagonist takes charge of middle school and lives a wanton life, her mother Yang Hezhen breaks away from an unfortunate marriage and regains happiness, Bi Qingnian refuses to be dependent and establishes herself in business after the death of her husband, showing the independent choices of different women under the limitations of the times; at the same time, through the transformation of the male protagonist from a playboy to a responsible person, and the Mu family brothers' journey of adhering to justice, it conveys "Growth does not distinguish between genders. Responsibility and responsibility are the ultimate confidence in life."